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Performing Arts (Dance and Theatre)

"An Artist Is Like God." Nigel Goodwin Podcast: Live At Hales Segment 3 of 3

"An Artist Is Like God." Nigel Goodwin Podcast: Live At Hales Segment 3 of 3

In this podcast we discuss "An Artist is like God," with Nigel Goodwin. Nigel's career as an actor started after graduating from the Royal Academy of Dramatic Art, famous for graduates Laurence Olivier, Albert Finney and many more. His career was interrupted by an encounter with God, which shaped his lifelong pursuit of understanding how God and art relate. Nigel is joined in this segment by Marty O'Donnell, composer and Audio Director at Bungie, and Lou Carlozo, entertainment writer, Chicago Tribune.

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Posted in A. Podcasts -- "The Kindlings Muse", Live @ Hales, Music, Performing Arts (Dance and Theatre), Visual Arts (Architecture, Design, Fashion, Painting in December 8, 2006 by | No Comments »

"An Artist Is Like God." Nigel Goodwin Podcast: Live At Hales Segment 2 of 3

"An Artist Is Like God." Nigel Goodwin Podcast: Live At Hales Segment 2 of 3

In this podcast we discuss "An Artist is like God," with Nigel Goodwin. Nigel's career as an actor started after graduating from the Royal Academy of Dramatic Art, famous for graduates Laurence Olivier, Albert Finney and many more. His career was interrupted by an encounter with God, which shaped his lifelong pursuit of understanding how God and art relate. Nigel is joined in this segment by Marty O'Donnell, composer and Audio Director at Bungie, and Lou Carlozo, entertainment writer, Chicago Tribune.

Play

Posted in A. Podcasts -- "The Kindlings Muse", Live @ Hales, Music, Performing Arts (Dance and Theatre), Visual Arts (Architecture, Design, Fashion, Painting in December 7, 2006 by | 9 Comments »

"An Artist Is Like God." Nigel Goodwin Podcast: Live At Hales Segment 1 of 3

"An Artist Is Like God." Nigel Goodwin Podcast: Live At Hales Segment 1 of 3

Filmmaker Ingmar Bergman is known for his explorations of disbelief in film. Yet recently Bergman wrote the following. "Art lost its basic creative drive the moment it was separated from worship. It severed an umbilical cord and now lives its own sterile life, generating and degenerating itself. In former days, the artist remained unknown and his work was to the glory of God. He lived and died without being more or less important than other artisans: eternal values, immortality and masterpiece were terms not applicable in his case. The ability to create was a gift. In such a world flourished vulnerable and natural humility." In this podcast we discuss "An Artist is like God," with Nigel Goodwin. Nigel's career as an actor started after graduating from the Royal Academy of Dramatic Art, famous for graduates Laurence Olivier, Albert Finney and many more. His career was interrupted by an encounter with God, which shaped his lifelong pursuit of understanding how God and art relate.

Play

Posted in A. Podcasts -- "The Kindlings Muse", Live @ Hales, Performing Arts (Dance and Theatre) in December 6, 2006 by | 3 Comments »

"Mitzi's Abortion," Hostile Talk and Reasonable Discourse in An Argument Culture.” Podcast: Live At Hales Segment 3 of 3

"Mitzi's Abortion," Hostile Talk and Reasonable Discourse in An Argument Culture.” Podcast: Live At Hales Segment 3 of 3

(Segment 3 of 3). How do we talk about controversial subjects in a pluralistic age given to hostile talk and not reasonable discourse? Does theatre offer unique opportunities for more complex, multilayered viewpoints? The Kindlings Muse roundtable includes Elizabeth Heffron, playwright whose Mitzi's Abortion caused quite a stir in ACT Theatre's 2006 season. Also joining us are Pam Nolte, Seattle actor and co-founder of Taproot Theatre, and Dr. George Scranton Theatre Professor at Seattle Pacific University.

Here is the storyline as described by ACT Theatre. "Mitzi's Abortion is a surprising and compassionate play about a young woman confronting one of life's most difficult and deeply personal decisions in a system determined to make it a political one.Facing a surprise pregnancy, Mitzi embraces motherhood and a future with her baby's father. But when complications collide with deeply-held beliefs, insurance regulations, and varying reactions from those she loves, Mitzi's world is thrown into chaos. As her family and friends try to comfort her in the face of their own discomfort, Saint Thomas Aquinas and a 17th-century midwife join the fray to give Mitzi unexpected support. With humor and honesty, this stunning new play takes a multifaceted look at an extraordinarily powerful and contemporary question."

Capital Hill Times said: Playwright Elizabeth Heffron has taken one of today's most volatile topics and tried courageously to present its complexity without making her play a harangue.
Seattle PI said: "The magic of theater" is a phrase that can mean a lot of different things. In the case of "Mitzi's Abortion" it means "welcoming unwelcome thoughts and feelings." The play is receiving its premiere production at ACT Theatre. It is powerful. Seattle playwright Elizabeth Heffron deals with two troubling subjects: a genetically defective fetus and a late-term abortion. Much public discourse on these subjects avoids thought and feeling by means of bluster and dogma. Heffron takes the opposite approach. She cultivates thought and feeling by creating engaging characters who grapple with tough issues. Empathy is pretty much automatic.
Seattle Times said: Anyone looking for an ideological rallying cry in Elizabeth Heffron's play "Mitzi's Abortion" won't find one. Instead, you'll get an even-handed, ambitious yet jumbled and ungainly tragicomedy " which, almost in spite of itself, manages to break your heart anyway.

Play

Posted in A. Podcasts -- "The Kindlings Muse", Live @ Hales, Performing Arts (Dance and Theatre) in September 29, 2006 by | No Comments »

"Mitzi's Abortion," Hostile Talk and Reasonable Discourse in An Argument Culture." Podcast: Live At Hales Segment 2 of 3

"Mitzi's Abortion," Hostile Talk and Reasonable Discourse in An Argument Culture." Podcast: Live At Hales Segment 2 of 3

(Segment 2 of 3). How do we talk about controversial subjects in a pluralistic age given to hostile talk and not reasonable discourse? Does theatre offer unique opportunities for more complex, multilayered viewpoints? This The Kindlings Muse roundtable includes Elizabeth Heffron, playwright whose Mitzi's Abortion caused quite a stir in ACT Theatre's 2006 season. Also joining us are Pam Nolte, Seattle actor and co-founder of Taproot Theatre, and Dr. George Scranton Theatre Professor at Seattle Pacific University.

Here is the storyline as described by ACT Theatre. "Mitzi's Abortion is a surprising and compassionate play about a young woman confronting one of life's most difficult and deeply personal decisions in a system determined to make it a political one.Facing a surprise pregnancy, Mitzi embraces motherhood and a future with her baby's father. But when complications collide with deeply-held beliefs, insurance regulations, and varying reactions from those she loves, Mitzi's world is thrown into chaos. As her family and friends try to comfort her in the face of their own discomfort, Saint Thomas Aquinas and a 17th-century midwife join the fray to give Mitzi unexpected support. With humor and honesty, this stunning new play takes a multifaceted look at an extraordinarily powerful and contemporary question."

Capital Hill Times said: Playwright Elizabeth Heffron has taken one of today's most volatile topics and tried courageously to present its complexity without making her play a harangue.
Seattle PI said: "The magic of theater" is a phrase that can mean a lot of different things. In the case of "Mitzi's Abortion" it means "welcoming unwelcome thoughts and feelings." The play is receiving its premiere production at ACT Theatre. It is powerful. Seattle playwright Elizabeth Heffron deals with two troubling subjects: a genetically defective fetus and a late-term abortion. Much public discourse on these subjects avoids thought and feeling by means of bluster and dogma. Heffron takes the opposite approach. She cultivates thought and feeling by creating engaging characters who grapple with tough issues. Empathy is pretty much automatic.
Seattle Times said: Anyone looking for an ideological rallying cry in Elizabeth Heffron's play "Mitzi's Abortion" won't find one. Instead, you'll get an even-handed, ambitious yet jumbled and ungainly tragicomedy " which, almost in spite of itself, manages to break your heart anyway.

Play

Posted in A. Podcasts -- "The Kindlings Muse", Live @ Hales, Performing Arts (Dance and Theatre) in September 28, 2006 by | 2 Comments »

Mitzi's Abortion, Hostile Talk and Reasonable Discourse in An Argument Culture." Podcast: Live At Hales Segment 1 of 3

How do we talk about controversial subjects in a pluralistic age given to hostile talk and not reasonable discourse? Does theatre offer unique opportunities for more complex, multilayered viewpoints? The Kindlings Muse roundtable includes Elizabeth Heffron, playwright whose Mitzi's Abortion caused quite a stir in ACT Theatre's 2006 season. Also joining us are Pam Nolte, Seattle actor and co-founder of Taproot Theatre, and Dr. George Scranton, Theatre Professor at Seattle Pacific University. Here is the storyline as described by ACT Theatre. "Mitzi's Abortion is a surprising and compassionate play about a young woman confronting one of life's most difficult and deeply personal decisions in a system determined to make it a political one.Facing a surprise pregnancy, Mitzi embraces motherhood and a future with her baby's father. But when complications collide with deeply-held beliefs, insurance regulations, and varying reactions from those she loves, Mitzi's world is thrown into chaos. As her family and friends try to comfort her in the face of their own discomfort, Saint Thomas Aquinas and a 17th-century midwife join the fray to give Mitzi unexpected support. With humor and honesty, this stunning new play takes a multifaceted look at an extraordinarily powerful and contemporary question."

Play

Posted in A. Podcasts -- "The Kindlings Muse", Live @ Hales, Performing Arts (Dance and Theatre) in September 27, 2006 by | 1 Comment »

Anne Rice: From “An Interview with the Vampire,” to “Christ the Lord.”Podcast: Journeys Interview Segment 1 of 4

Anne Rice: From “An Interview with the Vampire,” to “Christ the Lord.”Podcast: Journeys Interview Segment 1 of 4

A Dick Staub conversation with Anne Rice: Segment 1. You can't judge a book by its cover goes the old adage. After years of interviewing culturally influential authors I would add, neither can you always judge the author by the book. Who knew Margaret Atwood, author of "A Handmaid's Tale," would tell me (off-the-air) of her insistence on attending Sunday School as a child, though her scientist parent's were both atheists? Who knew feminist Susan Faludi would take the time to sit in on a Promise Keepers meeting and then defend the movement to her less informed cadre of friends, having concluded, "what can be so bad about a group of men who want to be better husbands and fathers?" Who knew the real story behind Anne Rice's "Interviews With a Vampire?" You will after listening to this amazing conversation.

Play

Posted in A. Podcasts -- "The Kindlings Muse", Books, Dick Staub Interviews, Movies, Performing Arts (Dance and Theatre) in August 18, 2006 by | No Comments »

Art for the Audience of One

Art for the Audience of One

Yesterday I wrote about the artlessness of evangelistic driven film, observing that such projects are justified not by their art, rooted in God as creator, but by their intent to promote God as Savior. I pointed out that defenders of the film's artlessness would plead immunity : " The church will argue that this film should succeed because it openly proclaims "the gospel." By this they mean it explicitly includes scenes encouraging "receiving Jesus as Savior."

Predictably I received a response that attempted just such a defense, arguing that 1) I hadn't seen the film (though a respected friend had and reported on it's inadequacies artistically); 2) And reminded me that "Over 280 decisions for Christ resulted after the movie was shown at two Christian film festivals in Boston and Syracuse."

Lou Carlozo rightly pointed out that God's own creativity is not message driven: "Contrast that with the notion that the art must have a message to validate its worth. That in essence is the ultimate form of human hubris, because it amounts to telling God that He had no clue what He was doing when He made the waterfalls, or created the world. Must the beauty of nature have a "message"? A sign hung around it that says, "If you love this, then thank God and ask Him to be your savior"? Or does it touch our souls in a way that makes us thirst, hunger and pant to be close to the force that made all this incredible beauty? "Christian" artists who put the message before the art are not only putting the cart before the horse: They are engaging in prideful, blind behavior. Whether they realize it, they think they know how to advance God's cause better than God does. They are violating the roadmap through, if you will, unintelligent designs."

Evangelism requires a fallen world as its audience and aim, whereas art can be offered to God as the audience of one. Because God does not need to be evangelized art need not be encumbered by evangelistic intent. Evangelism-driven people seem unable to grasp, to paraphrase Rookmaaker, "Art needs no evangelistic justification."

Read the following poem and see in it the artist at work without a human audience, but displaying elegance for the unseen audience. This purity of art glorifies God. No need to embroider John 3:16 on the artist's gown, no need to end the dance with verbiage thanking "my Lord and Savior Jesus Christ." Just the glorious sense of a dancer created in God's image glorifying God through creatively dancing well.

The Dancer

David Tucker

Class is over,
the teacher and the pianist gone,
but one dancer
in a pale blue
leotard stays
to practice alone without music,
turning grand jetes
through the haze of late afternoon.
Her eyes are focused
on the balancing point
no one else sees
as she spins in this quiet
made of mirrors and light–
a blue rose on a nail–
then stops and lifts
her arms in an oval pause
and leans out
a little more, a little more,
there, in slow motion
upon the air.

Posted in Kindlings Hearth Alum Blog, Performing Arts (Dance and Theatre) in June 16, 2006 by | 2 Comments »

The Kindlings Blog: Dick Staub. Birth Announcement: It's A TKM!

The Kindlings Blog: Dick Staub.  Birth Announcement: It's A TKM!

Last night as we launched our new live event/podcast/broadcast, The Kindling's Muse (TKM, I came as close to childbirth as I guess I ever will.

It was messy. Everyone who was there will agree a baby's first sounds are a little scary and the little critter learns to crawl before it walks. We got off to a late start (10 minutes) and when we played the pre-recorded introduction to the show, we could hear the music but not the rich basso profundo of Ron Turner. We thought it was because of a last minute switch to stereo recording from mono, but a hour later and a lot of buttons pushed and cables checked, we discovered the culprit: a chair tangled with a cord unplugging it from our system! I hear the newborn is as messy as the birthing process! Next come the dirty diapers, spitting up and crying though the night!

It was paced poorly. Mom wants baby now, but delivery can go on forever! I tried to move the conversation too quickly and it kept us from getting very deep with our stellar panel (Bryan Burton, Heather Hawkins, & Gregory Wolfe). Pacing also prohibited us from getting to MOST of the audience questions and comments (We're going to post them with the podcast so everybody can see the kinds of audience reaction we were getting).

TKM has a face only a mother could love. Every baby is beautiful to mom and dad and we were able to see glimmers of beauty in the newborn TKM. We had a great crowd, good venue (Thanks to Mike and Kathleen Hale), the panel was superb, intelligent and engaged. Robert Deeble's music was spot on and Jeff Berryman's reading of the late poet laureate Stanley Kuntz's "The Layers" was inspired.

The kid has potential. When our son was a child I liked to play a little song titled "I am a Promise." It went something like this: "I am promise, I am a possibility I am a promise, with a capital P, I am a great big bundle of potentiality. And if I listen and hear God's voice and if I promise to make the right choice, I can be anything, anything God wants me to be!" And that is how I feel about "The Kindlings Muse." I believe there is a need for intelligent, imaginative, hospitable explorations of ideas that matter in contemporary life, and as Stanley Kunitz said in The Layers:

In my darkest night,
when the moon was covered
and I roamed through wreckage,
a nimbus-clouded voice
directed me:
Live in the layers,
not on the litter.

Though I lack the art to decipher it,
no doubt the next chapter
in my book of transformations
is already written,
I am not done with my changes.

Yours for the pursuit of God in the company of friends, Dick Staub.

Posted in Kindlings Hearth Alum Blog, Movies, Music, Performing Arts (Dance and Theatre) in May 23, 2006 by | No Comments »